Pens and Views »Al - Masry Al - Youm» Artist Hala and her veil and the tragedy of the decline of art in Egypt

Pens and Views »Al - Masry Al - Youm» Artist Hala and her veil and the tragedy of the decline of art in Egypt

Subscribe to receive the most important newsRead a solution dress fear in its first decision and then removed by the second decision. In both cases, the consequences of her decisions have been courageously carried out. Ultimately, the judgment of the Lord of the universe alone "knows who is lost and knows best." It was not the first solution to wearing the hijab and then taking it off. It was preceded by many, but its rebellion against the headscarf was responsive to a trend that began to spread among the girls as if it were launching this revolution and leading it. The first edition, September 11, 2002, of the extremists and the vicious attack on the personal weakness of their children on their own sites, which amounted to an accusation of kufr to go out "of what is known of religion necessarily." For the Secretariat I was not the first to refuse to sanctify the veil and add it forcefully and without any evidence from a Koran or Year to the five assumptions of Islam, rejected the veil and refute the arguments of supporters After the end of the First World War and the establishment of the "Al-Safouriyya" Association, which demanded women to take off their headscarves and prominence to public life with all their artistic, intellectual and political activities, a Lebanese young woman named Nazira El-Din published two books, "Safour and Hijab" in 1928, (1929) and the logic of «if the man is a source of fear and fear, this is evidence that he is rude and dishonest, then turns the veil to an argument against him, it means the escape of women from the man and her face by wearing the niqab on her face and turn her back to him. The Moroccan sociologist Dr. Fatima Mernissi published two books, "Beyond the Veil" and then "The Political Harem" and the books of the late adviser Said Al Ashmawi. In the magazine Rosalayof, which declared that the veil is not obligatory. They were all preceded by Chancellor Qasim Amin, who shocked the public with his book, "Women's Liberation". He declared courageously that "women who bind their limbs and visible organs to their bodies so that they can neither walk nor ride, do not breathe, , Is considered to be "thin" because its mandate to leave in a piece of cloth is intended to subjugate its structure and lose the natural human form in the eyes of every man except her master and her mullah. Despite all this we are still wandering around the silly question: We close it. It seems that the Arab society, which is excluded from political activity, is looking for what is taking its time and distracting it, so it finds only the issue of women and their clothing. The issue of obscuring female artists has jumped to the surface after the spread of the cloud of black extremism in the skies of Egypt under the influence of the Khomeini revolution in the early eighties, but decided to return most of them to art with or without the veil. Muslim women, and with the repercussions and the most dangerous hostility to all arts. Arts flourished in Egypt when Egyptians respected artists and did not interfere in their personal freedom. We still see black and white films in the films of Tahia Karioka, Hind Rustam, Faten Hamama, Shadia, Majda and others who have all the love and respect they wear in the role of fashion and play all roles unconditionally. The arts reached the peak of prosperity when Egyptians sang with creative artists and saw the night at night Without them and the stars in the sky change the good of their landscape and the arts become the world Khmaila artists and flowers as the Egyptian composer Khaled Al-Khalid immortal Mohammed Abdul Wahab in his song by Saleh Jawdat: the world night and stars Tala Tnourah / Stars change the stars of good scenery / The art of the tune of the hearts playing in its tracks / The art of the beautiful Donna and Anto Anwarha / Art Minneh only lived in Hama / art Min knows only the most important in his name / Art Paradise Bmsharna colors / live on the Badrha and sang songs. We denied the radio from this beautiful song because of Abayat where glorifies the former King Farouk Vkhatbh poet: We crown the country paradise people / and you are her patron and guard and tenderness / art Minneh is not a word of his / And I gave him a favor after he was deprived of it / and he narrated it with the melodies of the disease The tragedy of the decline of the Egyptian arts after the rule of describing himself as "the President of the insured" and declared that "a Muslim ruler of a Muslim state," as if the former rulers of the "infidels" of the "infidel"! .. Governor of Basra speaks to «Egyptian Today: My differences with the prime minister do not affect my work
Date: 2018-09-16
          
          
          
         
  
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