Donmar Warehouse Production Reveals Unexpected Freedom in Priestley’s ‘When We Are Married’
London theatregoers are experiencing a delightful paradox at the Donmar Warehouse: a comedy of marital mishaps that unexpectedly underscores the shifting dynamics of freedom and authority. A production of J.B. Priestley’s 1934 play, ‘When We Are Married,’ has captivated audiences with its charming portrayal of three Yorkshire couples whose comfortably established lives are thrown into disarray by a startling revelation – they aren’t legally married.
The atmosphere, as described by early viewers, is one of both tension and warmth. Empty bottles and tightly wound nerves suggest a night of unraveling, yet Tim Sheader’s direction evokes the cozy familiarity of a beloved classic, akin to revisiting a cherished film on a cold evening. The play’s enduring appeal lies in its ability to blend lighthearted humor with a subtle exploration of societal norms.
A Look Back at Priestley and the Social Landscape of 1934
Written during a period of significant social change, ‘When We Are Married’ reflects the evolving roles of men and women in early 20th-century Britain. Set in 1908, the play initially presents a picture of rigid social structures and clearly defined gender roles. The husbands, secure in their financial standing and marital status, embody patriarchal authority. However, the discovery of their invalid marriages dramatically alters this power dynamic.
The women, initially constrained by societal expectations, find themselves unexpectedly liberated. The loss of legal ties dismantles the foundations of their husbands’ control, opening up possibilities for independence and self-determination. This shift, while played for comedic effect, subtly critiques the limitations imposed upon women of the era. Anna Fleischle’s costume design – featuring fine tweed and elaborate lace – vividly portrays the characters’ social standing and the constraints of their time. The visual details contribute significantly to the play’s thematic resonance.
Priestley’s work often grapples with themes of social responsibility and the consequences of individual actions. ‘When We Are Married’ is no exception. The play invites audiences to consider the importance of honesty, the fragility of social constructs, and the potential for change even within seemingly immutable systems. It’s a testament to Priestley’s skill that a play written nearly a century ago continues to resonate with contemporary audiences.
But what does it mean to truly be ‘married’ beyond a legal certificate? Does societal expectation define a union, or is it the commitment and affection shared between two individuals? These are questions the play subtly poses, prompting reflection long after the curtain falls.
Did You Know? J.B. Priestley was a prolific writer, producing over 150 works including novels, plays, and essays. He was also a prominent social commentator, often using his writing to explore issues of class, morality, and political responsibility.
For further insight into the social context of Priestley’s work, explore resources on the British Library’s website.
Frequently Asked Questions About ‘When We Are Married’
What is ‘When We Are Married’ about?
‘When We Are Married’ is a comedy about three Yorkshire couples who discover, during their silver wedding anniversary celebration, that they were never actually legally married. This revelation throws their lives into chaos and challenges their established social order.
Who wrote ‘When We Are Married’?
The play was written by J.B. Priestley, a renowned British playwright, novelist, and essayist.
Where is ‘When We Are Married’ currently being performed?
The play is currently being staged at the Donmar Warehouse in London.
What are the key themes explored in ‘When We Are Married’?
Key themes include the nature of marriage, social expectations, gender roles, and the consequences of deception.
How does the production at the Donmar Warehouse interpret the play?
The Donmar Warehouse production emphasizes the play’s comedic elements while also highlighting its subtle critique of societal norms and the shifting power dynamics between men and women.
Is ‘When We Are Married’ relevant to modern audiences?
Absolutely. Despite being set in 1908, the play’s exploration of relationships, social expectations, and personal freedom continues to resonate with contemporary audiences.
The production’s success lies in its ability to balance humor with insightful commentary. It’s a reminder that even within the confines of tradition, there is always room for unexpected change and the possibility of liberation. What impact will this newfound freedom have on the couples, and will their relationships survive the truth? And how much of our own identities are tied to societal expectations and legal definitions?
Don’t miss the chance to experience this captivating production. Share this article with fellow theatre enthusiasts and join the conversation in the comments below!
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