Witness the origin of the end! Marvel’s playing the long game, folks, and “AVENGERS: ARMAGEDDON” isn’t just another superhero dust-up. It’s a calculated demolition of the status quo, designed to inject some much-needed narrative shock into a universe that, let’s be honest, has been feeling a little… predictable. The groundwork laid in One World Under Doom (2025) and Chip Zdarsky’s Captain America (2025) isn’t just storytelling; it’s brand management, preparing fans for a seismic shift.
- The five-issue event series, AVENGERS: ARMAGEDDON, arrives this June from writer Chip Zdarsky and artists Frank Alpizar and Delio Diaz.
- The story kicks off in Latveria with Red Hulk claiming Doom’s homeland, sparking a global conflict.
- Marvel promises a “transformative shakeup” of the Avengers, the likes of which haven’t been seen since Avengers: Disassembled.
Zdarsky, fresh off his Eisner-nominated work on Daredevil (2019), is a smart choice to spearhead this. He’s proven he’s not afraid to deconstruct heroes, and that’s precisely what Marvel needs right now. The invocation of Avengers: Disassembled is *not* accidental. That event was a brutal reset, and this feels like a similar attempt to strip the Avengers down to their core – or what’s left of it. The inclusion of Wolverine: Weapons of Armageddon (2026) in the buildup suggests a particularly grim fate for some fan favorites.
The Red Hulk angle is fascinating. Positioning him as the aggressor, seizing Doom’s territory, immediately establishes a power vacuum and forces the Avengers into a reactive, potentially compromised position. It’s a classic villain move, but the execution will be key. This isn’t just about a fight; it’s about the *perception* of the Avengers. Marvel is explicitly stating there will be a pre- and post-Armageddon universe, signaling a fundamental change in the power dynamics. The promise of a “colossal gathering” including the Fantastic Four and Wolverine feels less like a team-up and more like a desperate last stand.
This is a high-stakes gamble. If executed well, AVENGERS: ARMAGEDDON could revitalize the Avengers franchise and set the stage for a compelling new era. If it falls flat, it risks alienating fans and further eroding trust in the overarching narrative. Either way, it’s a clear indication that Marvel is willing to shake things up, even if it means breaking a few toys in the process. Expect a lot of carefully curated press in the coming months, emphasizing the “transformative” nature of this event. They’re selling a new beginning, and they’ll need to convince us it’s worth the destruction.
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