Ben Edge’s ‘Where Must We Go…’ Exhibition Explores British Identity Through Folklore and History
A startling juxtaposition – druids processing past a Kentucky Fried Chicken outlet – sparked a profound re-evaluation of British identity for artist Ben Edge. This unexpected encounter became the catalyst for his upcoming exhibition, a complex exploration of the nation’s layered past and uncertain present. The exhibition, centered around the powerful sculpture ‘Where Must We Go in Search of Our Better Selves,’ delves into the narratives of Vikings, miners, refugees, historical enslavers, and the enduring myth of Albion itself.
The artist’s studio offers a glimpse into the immersive world he’s constructing. A toy poodle, Lunar, darts around a life-sized fibreglass horse, already partially through the doorway. The horse is adorned with a mannequin rider, draped in a garland of artificial flowers and a shirt echoing ancient British motifs – green men, the Uffington White Horse, and oak leaves. This intricate design mirrors the shirt worn by Edge himself, a deliberate act of embodying the themes he explores.
The Garland King: A Symbol of Inner Exploration
‘Where Must We Go in Search of Our Better Selves’ is a striking self-portrait, reimagining Renaissance equestrian monuments. It pays homage to the Garland King, a figure deeply rooted in British folklore, traditionally paraded through the Derbyshire village of Castleton each May. Edge explains, “The Garland King has become a symbol for me. It represents a process of discovering one’s true self, a journey inward.” This inward focus reflects a broader concern within the exhibition: how do we reconcile the disparate threads of British history and forge a cohesive identity in the modern era?
The sculpture isn’t merely a historical reference; it’s a commentary on the ongoing search for meaning and belonging. The layers of symbolism – the horse representing power and tradition, the garland signifying renewal and celebration, the artist’s own likeness – invite viewers to contemplate their own place within the national narrative. What does it mean to be British today, given the weight of the past and the complexities of the present? Is it possible to embrace all facets of our history, even the uncomfortable ones, and still move forward with hope?
Edge’s work resonates with a growing interest in re-evaluating national identity, particularly in a post-Brexit landscape. The exhibition arrives at a time when questions of belonging, immigration, and historical accountability are at the forefront of public discourse. His artistic approach, blending folklore, history, and personal reflection, offers a unique and compelling perspective on these critical issues. The use of traditional imagery, such as the Uffington White Horse – a prehistoric hill figure – connects the present to a deep and often overlooked past. Learn more about the Uffington White Horse.
Furthermore, Edge’s exploration of the figure of Albion, the ancient name for Britain, adds another layer of complexity. Albion represents a romanticized vision of the nation, often associated with pastoral landscapes and a sense of timelessness. However, Edge doesn’t shy away from acknowledging the darker aspects of Albion’s history, including colonialism and exploitation. He challenges viewers to confront the contradictions inherent in the national mythos. Explore the historical context of Albion.
Frequently Asked Questions About Ben Edge’s Exhibition
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What is the central theme of Ben Edge’s exhibition?
The exhibition primarily explores British identity, drawing connections between historical figures, folklore, and contemporary issues. It questions how we reconcile the nation’s complex past with its present and future.
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Who is the Garland King and why is he significant to Edge’s work?
The Garland King is a figure from British folklore traditionally paraded in Castleton, Derbyshire. Edge sees him as a symbol of self-discovery and the process of finding one’s true nature.
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How does Edge use symbolism in his sculpture ‘Where Must We Go in Search of Our Better Selves’?
The sculpture employs layers of symbolism, including the horse representing power and tradition, the garland signifying renewal, and the artist’s own likeness prompting viewers to contemplate their own identity.
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What is the significance of the Uffington White Horse in Edge’s artwork?
The Uffington White Horse, a prehistoric hill figure, connects the present to a deep and often overlooked past, highlighting the enduring legacy of ancient Britain.
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Does the exhibition address the darker aspects of British history?
Yes, Edge doesn’t shy away from acknowledging the uncomfortable truths of British history, including colonialism and exploitation, challenging viewers to confront the contradictions within the national narrative.
The exhibition promises to be a thought-provoking and visually arresting experience, inviting audiences to engage with the complexities of British identity in a new and meaningful way. It’s a timely intervention, offering a space for reflection and dialogue in a rapidly changing world.
What aspects of British history do you feel are most often overlooked? And how can art play a role in fostering a more nuanced understanding of national identity?
Share this article with your network and join the conversation in the comments below. Let’s explore these important questions together.
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