Cecilia Bengolea: Inside the ‘Reverb’ Dancehall Film for VF

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Rhythm and Resistance: Inside Cecilia Bengolea’s ‘Shelly Belly Inna Real Life’ at 180 Studios

LONDON — The intersection of street dance and social commentary has found a visceral new home at 180 Studios. Argentinian artist and choreographer Cecilia Bengolea has unveiled Shelly Belly Inna Real Life, a sweeping video installation that captures the raw energy and complex social fabrics of Jamaica.

Shot over a four-year period between 2015 and 2019, the work is a cornerstone of The Vinyl Factory: Reverb exhibition. Bengolea’s latest project is more than a visual record; it is a deep dive into the heart of dancehall, a genre that serves as both a rhythmic escape and a powerful form of cultural identity.

By shadowing the legendary dancehall icon Shelly Belly, Bengolea peels back the layers of a scene often misunderstood by outsiders. The installation explores the precise choreography of the movement and the precarious social environments where these dances evolve.

Did You Know? Dancehall evolved from the “sound system” culture of Kingston, Jamaica, eventually becoming a global phenomenon that influences everything from modern pop music to contemporary fashion.

In a series of candid reflections, Bengolea delves into the friction between creative expression and authority, specifically examining the relationship between the Jamaican police and the dance community. It is a study of how street dance functions as a language of resilience.

Can a dance move be a form of political protest? Does the act of movement in public spaces inherently challenge the structures of power?

This isn’t Bengolea’s first exploration of this vibrant world. In 2016, she collaborated with Jeremy Deller and The Vinyl Factory to produce Bom Bom’s Dream for The Infinite Mix exhibition. That project followed a Japanese dancer’s journey into dancehall, with Shelly Belly once again playing a pivotal role.

The evolution from Bom Bom’s Dream to Shelly Belly Inna Real Life marks a shift toward a more intimate, documentary-style gaze. Bengolea moves beyond the novelty of the “outsider’s perspective” to focus on the internal rhythms and systemic pressures of the community itself.

Shelly Belly in Cecilia Bengolea's video installation

For those seeking to experience the work, tickets are available via the 180 Studios website. While there, visitors may also find inspiration in other cutting-edge works, such as Es Devlin: Screenshare.

The exhibition provides a necessary bridge between the auditory experience of vinyl and the physical experience of dance, reminding us that music is never just heard—it is lived.

The Cultural Legacy of Jamaican Dancehall

To understand the weight of Shelly Belly Inna Real Life, one must understand the role of dancehall in the Caribbean diaspora. Dancehall is not merely a set of steps; it is a social ecosystem. Originating in the late 1970s, it shifted the focus from the spiritual roots of reggae to a more urban, gritty, and celebratory expression of Jamaican life.

Bengolea’s work aligns with a broader artistic movement that seeks to archive “intangible heritage.” According to UNESCO, the preservation of traditional and street performances is vital for maintaining cultural diversity in a globalized world.

By centering Shelly Belly, Bengolea highlights the “matriarchs” of the scene. The choreography in dancehall is often a dialogue between gender, power, and liberation. This is further reflected in the historical analysis provided by institutions like the Smithsonian Folkways, which documents the global migration of Jamaican sounds.

The tension Bengolea notes regarding the police reflects a historical pattern of the “criminalization of joy.” When marginalized communities claim public space through dance, the act itself becomes a subversive gesture, transforming the street into a stage and the dancer into a dissident.

Exhibition Details: The Vinyl Factory: Reverb

Location: 180 Studios, 180 The Strand, London, WC2R 1EA

Dates: May 22, 2024 – March 2, 2025

Closure Notice: Closed Dec 23, 2024 – Jan 8, 2025

Hours: Wed–Sat: 12pm–7pm | Sun: 12pm–6pm

For further reading on the origins of this project, explore the original feature on The Vinyl Factory or the detailed interview with Cecilia Bengolea.

Frequently Asked Questions

  • What is Cecilia Bengolea’s Shelly Belly Inna Real Life? It is a video installation shot in Jamaica that explores the intimate social and choreographic world of dancehall.
  • Where can I see the Cecilia Bengolea dancehall installation? It is currently on display at 180 Studios in London as part of The Vinyl Factory: Reverb exhibition.
  • Who is Shelly Belly in the context of the art? Shelly Belly is a dancehall icon and the central subject of Bengolea’s installation.
  • When does the exhibition featuring Cecilia Bengolea’s work end? The exhibition runs until March 2, 2025.
  • Does the work discuss the political aspects of dance? Yes, Bengolea specifically explores the relationship between the Jamaican police and street dance culture.

Join the Conversation: Does art have a responsibility to archive subcultures before they are commercialized? How do you perceive the link between dance and political resistance? Share your thoughts in the comments below and share this piece with your network.


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