Maks Chmerkovskiy: DWTS Pro Casting of Taylor Swift’s Dancer ‘Absurd’

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‘Dancing With the Stars’ Faces Backlash Over Pro Dancer Casting

The premiere of the new season of ‘Dancing With the Stars’ is already stirring controversy, as former professional dancers are publicly criticizing the casting of Jan Ravnik, a dancer known for his work with Taylor Swift, as a pro partner. The outcry centers on accusations that Ravnik lacks the competitive ballroom experience necessary for the show, potentially disadvantaging his celebrity partner, Jen Affleck.

Former ‘DWTS’ alum Maks Chmerkovskiy ignited the debate, labeling the decision “absurd” and asserting “there’s zero foundation” for Ravnik’s inclusion as a professional dancer on the program. Variety first reported on Chmerkovskiy’s strong reaction, which quickly spread across social media.

The criticism isn’t solely focused on Ravnik’s perceived lack of ballroom credentials. Several former pros have expressed concern that Jen Affleck will be unfairly hindered by a partner who may not be equipped to provide the necessary guidance and support to navigate the demanding competition. The US Sun detailed these concerns, highlighting the potential disadvantage for Affleck as she embarks on her ‘DWTS’ journey.

Other professionals have echoed Chmerkovskiy’s sentiments, stating that Ravnik simply doesn’t possess the requisite experience to compete at the ‘Dancing With the Stars’ level. PopCulture.com and Billboard both reported on the widespread disapproval among former ‘DWTS’ pros.

Cheryl Burke, another ‘DWTS’ veteran, weighed in on the controversy, acknowledging Chmerkovskiy’s criticism and adding fuel to the fire. Access Hollywood covered Burke’s reaction, further amplifying the debate surrounding Ravnik’s casting.

This situation raises a crucial question: How much does prior competitive ballroom experience truly matter when evaluating a ‘Dancing With the Stars’ professional dancer? And, could this casting decision ultimately impact the fairness of the competition?

The Evolution of ‘Dancing With the Stars’ Casting

‘Dancing With the Stars’ has undergone significant changes since its debut in 2005. Initially, the show prioritized professional dancers with extensive backgrounds in competitive ballroom dancing. Over time, the casting criteria have broadened to include individuals with diverse dance backgrounds, including contemporary, hip-hop, and jazz. This shift reflects a desire to appeal to a wider audience and showcase a greater variety of dance styles.

However, the core of the show remains rooted in ballroom technique. The judges evaluate contestants based on their mastery of traditional ballroom dances, such as the waltz, tango, and foxtrot. This emphasis on technique often requires a professional partner who possesses a deep understanding of these dances and can effectively guide their celebrity partner.

The inclusion of dancers like Jan Ravnik, who are renowned for their work in other dance genres, challenges the traditional expectations of a ‘DWTS’ pro. While Ravnik’s talent and artistry are undeniable, the question remains whether his skills translate effectively to the competitive ballroom environment.

Did You Know? Jan Ravnik has been a professional dancer for Taylor Swift since 2014, appearing in numerous music videos and concert tours.

The controversy surrounding Ravnik’s casting highlights a broader debate about the evolving definition of a ‘professional dancer’ in the context of ‘Dancing With the Stars.’ Is it sufficient to be a highly skilled dancer in one genre, or is a comprehensive understanding of ballroom technique essential for success on the show?

The show’s producers may be attempting to inject fresh energy and appeal by casting dancers from unconventional backgrounds. However, they must also consider the potential impact on the fairness and integrity of the competition. Dancesport Life provides a comprehensive overview of the history and evolution of ballroom dance, offering valuable context for understanding the technical demands of the sport.

Pro Tip: When evaluating a dancer’s suitability for ‘Dancing With the Stars,’ consider not only their technical skills but also their ability to teach, communicate, and adapt to the unique challenges of partnering with a celebrity.

Frequently Asked Questions About the ‘DWTS’ Casting Controversy

  • What is the main criticism surrounding Jan Ravnik’s casting on ‘Dancing With the Stars’?

    The primary criticism is that Jan Ravnik lacks extensive experience in competitive ballroom dancing, which is considered essential for a ‘DWTS’ pro partner.

  • Who has publicly criticized the casting of Jan Ravnik?

    Maks Chmerkovskiy, a former ‘Dancing With the Stars’ professional dancer, was the first to publicly criticize the casting, calling it “absurd.” Cheryl Burke and other former pros have also voiced their concerns.

  • How might Jan Ravnik’s lack of ballroom experience affect his celebrity partner, Jen Affleck?

    Critics suggest that Jen Affleck may be at a disadvantage due to Ravnik’s limited ballroom background, as she may not receive the necessary guidance and support to compete effectively.

  • Has ‘Dancing With the Stars’ changed its casting criteria for professional dancers over the years?

    Yes, the show has broadened its casting criteria to include dancers with diverse backgrounds, beyond traditional competitive ballroom. However, ballroom technique remains a core element of the competition.

  • What is the significance of the controversy surrounding this casting decision?

    The controversy highlights a debate about the evolving definition of a ‘professional dancer’ on ‘Dancing With the Stars’ and the importance of ballroom experience in the competition.

Will Ravnik prove the critics wrong and deliver a stellar performance with Jen Affleck? Only time will tell. But one thing is certain: this casting decision has already sparked a lively debate among ‘Dancing With the Stars’ fans and professionals alike.

Share your thoughts! Do you believe prior ballroom experience is crucial for a ‘DWTS’ pro, or can talent and adaptability compensate for a lack of traditional training? Let us know in the comments below!


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