The Sub-Saharan Turn: A Literary Examination

El Guabli’s work delves into how Moroccan literature has begun to grapple with the complexities of this increased interaction and integration. He argues that the traditional narratives of Moroccan identity are being challenged and redefined by the presence and experiences of sub-Saharan migrants. This isn’t simply a story of assimilation or conflict, but a more nuanced process of mutual influence and the emergence of new hybrid identities.

The concept of “saharanism,” central to El Guabli’s research, offers a framework for understanding this transformation. It moves beyond a purely geographical definition of the Sahara to encompass a broader cultural and political space, one shaped by historical connections, migration patterns, and shared experiences. Saharanism, as El Guabli articulates, isn’t a static ideology but a constantly evolving set of ideas and practices.

This evolving understanding of Saharanism builds upon decades of scholarship concerning trans-Saharan Africa. Works like Ghislaine Lydon’s On Trans-Saharan Trails: Islamic Law, Trade Networks and Cross-Cultural Exchange in Nineteenth Century Western Africa provide crucial historical context, demonstrating the long-standing interconnectedness of the region. Similarly, Shamil Jeppie’s Writing Timbuktu: The Book in West African History highlights the intellectual and cultural vibrancy of West Africa, challenging Eurocentric narratives.

El Guabli’s analysis also connects to broader discussions about race and identity in Morocco. His previous work, such as “Forgettable Black and Amazigh Bodies: Boujem’a Hebaz and the Moroccan Racial Politics of Amnesia,” explores the historical erasure of Black and Amazigh contributions to Moroccan culture and the ongoing struggle for recognition. This historical context is vital for understanding the contemporary challenges and opportunities presented by increased migration.

Further enriching this discourse, Abdel Rahman Munif’s Cities of Salt offers a powerful literary exploration of the social and political consequences of oil extraction in the Gulf, providing a comparative lens for examining the impact of economic forces on identity and migration patterns.

What does this “sub-Saharan turn” signify for the future of Moroccan literature and cultural production? And how might these literary representations contribute to a more inclusive and equitable society?

Frequently Asked Questions About Saharanism and Moroccan Literature

• What is “saharanism” as defined by Brahim El Guabli?

  Saharanism, as El Guabli explains, is not simply a geographical term but a dynamic concept encompassing cultural, political, and historical connections shaped by migration and shared experiences in the Sahara region.

• How has migration from sub-Saharan Africa impacted Moroccan identity?

  Migration has challenged traditional narratives of Moroccan identity, leading to the emergence of new hybrid identities and a re-evaluation of cultural boundaries.

• What role does literature play in understanding this transformation?

  Contemporary Moroccan literature is increasingly reflecting and analyzing the complexities of this migration, offering valuable insights into the changing social and political landscape.

• Where can I find Brahim El Guabli’s essay, “The Sub-Saharan Turn in Moroccan Literature”?

  The essay is available in Issue 298 of Middle East Report, published in Spring 2021. You can find it here.

• What other scholars contribute to the understanding of trans-Saharan history and culture?

  Scholars like Ghislaine Lydon and Shamil Jeppie offer crucial historical context and challenge Eurocentric narratives, providing a broader understanding of the region’s interconnectedness.