SXSW 2026: A Deep Dive into the Film Slate

The return of “Ready or Not,” the darkly comedic horror hit, is already generating significant buzz. While details remain scarce, the title “Here I Come” suggests a continuation of Grace’s (Samara Weaving) harrowing experiences with her eccentric in-laws. The original film, praised for its sharp wit and thrilling suspense, established a devoted fanbase, and expectations are high for the sequel. Official website for the original film

Boots Riley, known for his politically charged and visually inventive films like “Sorry to Bother You,” is bringing a new, currently untitled project to SXSW. Riley’s work consistently challenges societal norms and offers a unique perspective on contemporary issues. His presence at the festival signals a commitment to showcasing films with strong social commentary.

John Carney, the director behind beloved musical films such as “Once” and “Sing Street,” will also premiere a new feature. Carney’s films are celebrated for their heartfelt storytelling and authentic portrayals of musicians and their struggles. His latest work promises to deliver the emotional resonance and musical charm that have become his trademarks.

Jay Duplass, a prolific independent filmmaker known for his naturalistic and character-driven stories, is set to present a new film at the festival. Duplass’s work often explores the complexities of human relationships and the challenges of modern life. His inclusion in the lineup underscores SXSW’s dedication to supporting independent cinema.

Television Takes Center Stage: Kelley’s New Series

Beyond the film offerings, SXSW 2026 will feature a strong contingent of television projects. Among the most anticipated is “Margo’s Got Money Troubles,” a series adaptation of Rufi Thorpe’s bestselling novel, helmed by acclaimed showrunner David E. Kelley. The series stars Elle […], and promises a compelling exploration of wealth, family secrets, and the burdens of privilege. Author Rufi Thorpe’s official website

The inclusion of a high-profile television adaptation like “Margo’s Got Money Troubles” reflects the growing importance of streaming platforms and the increasing demand for quality television content. SXSW is positioning itself as a key launchpad for both film and television projects.

What role will independent film play in a landscape increasingly dominated by blockbuster franchises? And how will SXSW continue to balance showcasing established filmmakers with nurturing emerging talent?

Frequently Asked Questions About SXSW 2026