The Genesis of ‘Glow’ and Spandau Ballet’s Early Sound

‘Glow,’ originally released in 1981 as part of Spandau Ballet’s ascent to New Romantic stardom, nearly didn’t make the cut for their debut album, ‘Journeys to Glory.’ Guitarist Gary Kemp recalls crafting the song’s distinctive groove, drawing inspiration from funk pioneers like the Fatback Band and Dr. Buzzard while simultaneously forging a uniquely European sonic identity for the band.

“I sat with my guitar in my bedroom, and with the sound of the Fatback Band and Dr. Buzzard in my head, I ground out a groove and made an attempt to write a song that combined funk with the stark European music that we had created already,” Kemp explained. “The result was ‘Glow.’”

The live version, recorded at the Paris Theatre in London’s Regent Street for a ‘BBC In Concert’ broadcast on May 8, 1982, amplifies the song’s funk elements, showcasing the band’s instrumental prowess. Steve Norman’s conga and bongo work, in particular, is highlighted as a key component of the track’s infectious rhythm.

Spandau Ballet’s early years were marked by a relentless pursuit of sonic innovation and a desire to define the sound of a generation. They aimed to capture the energy of Soho nightlife and translate it into music that was both sophisticated and undeniably danceable. This unearthed performance of ‘Glow’ serves as a potent reminder of that ambition.

‘Everything Is Now – Vol. 1: 1978-1982’ – A Deep Dive into the Archives

The forthcoming compilation, ‘Everything Is Now – Vol. 1: 1978-1982,’ promises a comprehensive exploration of the band’s formative years. Spanning nine discs, the collection includes their first two studio albums alongside a wealth of previously unreleased material, offering fans an unprecedented glimpse into the band’s creative process.

Accompanying the music is a lavish 44-page book featuring original photographs by Graham Smith and insightful commentary from all members of Spandau Ballet. This detailed package aims to provide a complete and immersive experience for longtime fans and newcomers alike.

The release arrives amidst ongoing discussions about the possibility of a Spandau Ballet reunion. While frontman Tony Hadley has expressed reservations, citing a lack of contact with his former bandmates and the challenges of replicating the dynamic following John Keeble’s illness, Gary Kemp has hinted at a potential softening of tensions. Read more about Gary Kemp’s thoughts on a reunion here.

Hadley recently shared his perspective on a potential reunion, stating, “I don’t think it would work. I haven’t seen Gary, Martin or John in eight years.” He also emphasized his contentment with his current solo career, appreciating the artistic freedom it affords him. Find his full comments on a reunion here.

Do you think Spandau Ballet will ever reunite for another tour? And what impact did their early sound have on the New Romantic movement?

Frequently Asked Questions About Spandau Ballet and ‘Glow’

• What is the significance of the unearthed ‘Glow’ performance?

  This live version of ‘Glow’ offers a rare glimpse into Spandau Ballet’s early energy and showcases their evolving sound, particularly their embrace of funk influences. It’s a previously unheard recording from 1982.

• What is included in the ‘Everything Is Now – Vol. 1: 1978-1982’ compilation?

  The compilation features nine discs of music, including the band’s first two studio albums and a wealth of previously unreleased material. It also includes a 44-page book with photos and commentary.

• Who wrote the song ‘Glow’?

  ‘Glow’ was written by Spandau Ballet guitarist Gary Kemp, who drew inspiration from funk artists like the Fatback Band and Dr. Buzzard.

• What are the chances of a Spandau Ballet reunion?

  The possibility of a reunion remains uncertain. While Tony Hadley has expressed doubts, Gary Kemp has suggested that tensions may have eased. The future remains unclear.

• Where was the unearthed ‘Glow’ performance recorded?

  The performance was recorded at the Paris Theatre in London’s Regent Street for a ‘BBC In Concert’ broadcast on May 8, 1982.