The revolving door at British television continues to spin, and this time, it’s threatening to swallow up ITV’s Weekend Kitchen. The potential axing of John Torode and Lisa Faulkner’s show isn’t just about ratings; it’s a stark illustration of how quickly goodwill can evaporate in the face of scandal, and how broadcasters are scrambling to appear proactive in a climate of heightened sensitivity. The fact that ITV initially stood by Torode after his dismissal from the BBC only makes this potential reversal more pointed.
- The fallout from allegations against both Torode and Gregg Wallace highlights a broader reckoning within the UK television industry.
- ITV’s initial support for Torode, followed by this potential cancellation, demonstrates the tightrope broadcasters walk between loyalty and public perception.
- Torode’s pivot to YouTube suggests a strategy of regaining control of his narrative outside of traditional media channels.
This situation unfolded rapidly. Torode was terminated by the BBC following an investigation into alleged racist language used in 2018 – language he claims to have no recollection of. The BBC’s response, as reported, was swift and decisive, refusing to renew his MasterChef contract. Almost simultaneously, Gregg Wallace faced allegations of inappropriate on-set behaviour and was also removed from his position. ITV, initially, appeared to be taking a different tack, allowing Weekend Kitchen to continue airing. Now, however, budgetary concerns and, more likely, a reassessment of the reputational risk appear to be shifting the landscape.
The timing is crucial. Broadcasters are acutely aware of the scrutiny they face regarding diversity and inclusion. A show fronted by someone accused of racism, even with a denial, becomes a liability. ITV’s initial decision to air the remaining episodes of Weekend Kitchen, as director of media and entertainment Kevin Lygo stated, was framed as avoiding “jumping on the bandwagon.” But that position has clearly become untenable. This isn’t necessarily about a lack of faith in the show itself, but a calculated move to protect the network’s brand. The “crisis talks” reported by The Sun weren’t about the show’s quality; they were about damage control.
Torode’s turn to therapy, and his openness about “facing his grief,” as detailed in his Substack newsletter, is a fascinating PR move in itself. It’s a carefully constructed image of self-reflection and accountability, even while maintaining his denial of the original allegation. His foray into YouTube, while presented as a creative outlet, is also a savvy attempt to bypass traditional media gatekeepers and connect directly with his audience. Whether this will be enough to rehabilitate his public image remains to be seen.
The cancellation of Weekend Kitchen, if confirmed, will be a significant blow to Torode and Faulkner. But it’s also a signal to the industry: allegations of misconduct, however contested, carry a heavy price, and broadcasters are increasingly prioritizing perception over loyalty. The question now is whether Torode’s YouTube venture can provide a sustainable platform, or if this marks a turning point in his career.
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