Peter Hook Reflects on the Enduring Legacy of Bass Legend Mani
The music world mourns the loss of Gary “Mani” Mounfield, the influential bassist whose distinctive grooves defined a generation. Mani, renowned for his work with The Stone Roses and Primal Scream, passed away last Thursday, November 20th, at the age of 63. Tributes have poured in from across the musical spectrum, celebrating a life dedicated to rhythm and innovation. Now, Peter Hook, bassist of New Order and a longtime friend, has shared a deeply personal reflection on Mani’s talent and character.
A Manchester Connection Forged in Sound
Hook’s tribute, published in The Guardian, details his initial encounter with Mani when he was approached to assist The Stone Roses with the production of ‘Elephant Stone.’ “Then as Manchester turned into Madchester I got to know them really well,” Hook recalled, describing the vibrant atmosphere of the era. The band’s early demos were even recorded at Hook’s Suite 16 studio, though ultimately shelved. This period cemented a lasting respect between the two bassists, born from a shared passion for music and a burgeoning scene.
The Freebass Experiment and a Brief Rift
Their paths converged again in 2005 with the formation of Freebass, a supergroup featuring Hook, Mani, and Andy Rourke of The Smiths. While the project showcased the immense talent of all involved, Hook admits it was “ill-fated – too many chefs.” A disagreement over a gig led to a temporary falling out, with Mani voicing his frustrations publicly. However, Hook emphasizes the swift resolution. “Mani slagged me off but God bless him, the very next day he phoned me up and apologised. That was Mani,” he stated, highlighting the bassist’s inherent decency and ability to move past conflict.
Beyond the Music: A Man of Integrity and Humor
The reconciliation marked a turning point in their relationship, blossoming into a genuine friendship. Hook describes spending time with Mani as “a total pleasure,” noting his complex personality. While known for his charismatic stage presence, Mani was far from a simple showman. “He wasn’t a clown or joker, but a man of the people [who was] very funny and very irreverent. But also had an intensity and didn’t suffer fools gladly.” Hook admired Mani’s unwavering principles and his willingness to stand up for what he believed in. “He was very passionate about things he believed in… If he felt something was wrong, or there was some sort of injustice, he was very tenacious.”
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The Unmatched Groove of a Bass Innovator
Hook’s admiration extended to Mani’s musical prowess. “From a bass-playing point of view, he was the best. Everybody wanted to be him.” He credits Mani’s arrival in The Stone Roses as a pivotal moment for the band, transforming their sound with his infectious grooves. “He was a groove artist and into groovy music.” Hook recalls watching a recent Instagram video of Mani performing ‘Fool’s Gold’ and marveling at his skill. “Like Andy Rourke, Mani played very melodically – which I do, but Mani was much subtler. I always tried to compete with the guitar but Mani wove around it. That’s a great skill.”
What do you think made Mani’s basslines so iconic and influential?
Hook also recounted a humorous anecdote about auditioning for Primal Scream and losing the role to Mani, leading to the latter playfully adopting the moniker “Number One” while referring to Hook as “Number Two.” This lighthearted rivalry underscored their mutual respect and camaraderie.
A Legacy of Passion and Unfinished Business
Mani’s dedication to music never waned. “All Mani wanted to do was play and most of all he loved playing to people,” Hook observed, referencing the recently announced “In Conversation” tour that Mani was eagerly anticipating. “He never stopped working and was so looking forward to the speaking tour he’d just announced. It’s heartbreaking that he’s gone before it started.”
The outpouring of grief following Mani’s death is a testament to his impact. “The outpouring of grief and sadness when Mani died has been really quite remarkable. I don’t think I’ve ever seen anything like it, for a pop star, certainly not for a long time. At the moment every Manchester legend is asking themselves ‘Will I get that when I die?’ But I can safely say that Mani will never be forgotten.”
Hook paid further tribute to Mani during his recent performances with Peter Hook and The Light, writing “Mani No.1” on his back as a visible homage to his friend.
Fans worldwide have been sharing cherished memories of Mani, including a beloved clip from the 2008 NME Awards. Tributes have also come from Oasis, who honored Mani during a concert in Brazil, with Liam and Noel Gallagher performing ‘Live Forever,’ and Richard Ashcroft, who dedicated a snippet of The Verve’s ‘Bittersweet Symphony’ to him. My Bloody Valentine and Primal Scream also paid their respects on stage.
As NME aptly described, Mani held “a rare place in the world of bass heroes,” a musician who “defined a scene with some of the most infectious and hypnotic basslines ever recorded.”
Frequently Asked Questions About Mani
What made Mani’s bass playing style unique?
Mani’s bass playing was characterized by its melodic sensibility, subtle groove, and ability to complement the guitar rather than compete with it. He had a knack for weaving intricate basslines that added depth and texture to the music.
What bands was Mani most known for playing in?
Mani is most celebrated for his work with The Stone Roses and Primal Scream, two iconic bands that defined the Madchester and Britpop eras. He also played in Freebass with Peter Hook and Andy Rourke.
How did Peter Hook and Mani first meet?
Peter Hook first met Mani when he was asked by The Stone Roses’ manager to help produce their track ‘Elephant Stone.’ This initial collaboration led to a lasting friendship and mutual respect.
What was the nature of the disagreement between Peter Hook and Mani in Freebass?
The disagreement stemmed from a dispute over a gig, resulting in Mani publicly criticizing Hook. However, their friendship quickly recovered, with Mani apologizing the very next day.
What impact did Mani have on the Manchester music scene?
Mani was a central figure in the vibrant Manchester music scene of the late 1980s and early 1990s, contributing to the unique sound and energy of the era. His basslines helped define the Madchester movement.
What tributes have been paid to Mani following his death?
Numerous tributes have been paid to Mani from fellow musicians, fans, and the wider music community, including performances dedicated to him by Oasis, Richard Ashcroft, My Bloody Valentine, and Primal Scream.
What are your favorite memories of Mani and his music? Share your thoughts in the comments below.
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